Center Tulsa

In the Tulsa Performing Arts Center, are balcony seats good seats, or would mezzanine seats be preferable?
My family is thinking about going to see Wicked this July. My dad thinks balcony seats will be alright if we bring binoculars, but personally I’m not so sure…does anyone who’s been to the Tulsa PAC have an opinion?
Mezzanine is the “first” or lowest balcony. I find at the TPAC that what section you are in is the most important thing. Try to go mezzanine as close to the stage as you can. Those go fast but so do the balcony ones. Balcony in a good section is better than mezzanine in a far off one. Have a good time!
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101 Days of Absolute Victory $2.32 Many times readers feet this way but don’t know what to do about it. Faith is like a muscle; it must be worked out and applied in order for it to increase. Billy Joe Daugherty, pastor of the 20,000 member church. Victory Christian Center in Tulsa, Oklahoma, has compiled 101 powerful and faith inspiring devotions guaranteed to boost readers into a new realm of faith! |
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Black Geographies and the Politics of Place $20 The history of black people in the Americas and the Caribbean cannot be told without addressing powerful geographical shifts: massive forced migrations, land dispossession, and legal as well as informal structures of segregation. From the Middle Passage to the Whites Only signposts of US apartheid, the black Diasporic experience is rooted firmly in the politics of place. Literature has long explored the cultural differences in the experience of blackness in different quarters of the Diaspora. But what are the real differences between being a maroon in the hills of Jamaica and a runaway in the swamps of Florida? How does location impact repression and resistance, both on the ground and in the terrain of political imagination? Enter Black Geographies. In this path-breaking collection, fourteen authors interrogate the intersection between space and race. For instance, confronted with the importance of space in black cultural creation and preservation, some activists have sought to protect or restore black historical sites such as Tulsa’s Black Wall Street and the African Burial Ground in New York City. For the dispossessed, all markers of history and belonging, including cultural property, become paramount. Yet each of these sites has in common acts of racial hatred and state terrorism that have left few of the historical structures standing-making them unlikely candidates for preservation. This begs the question: Is it even possible that advocating for preserving historic locations can act as a vehicle for social justice and spur community redevelopment? Other contributors consider how Bob Marley’s music maps a path to freedom, whether Malcolm Little could have emerged asMalcolm X outside of a black urban center, and if lost communities can be recovered. Katherine McKittrick authored Demonic Grounds: Black Women and Cartographies of Struggle. Clyde Woods authored Development Arrested: Race, Power, and the Blues in the Mississippi Delta. |
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Buildings and Structures in Tulsa, Oklahoma: BOK Center, Temple Israel, List of Tallest Buildings in Tulsa, Cain’s Ballroom $17.87 Buildings and Structures in Tulsa, Oklahoma: BOK Center, Temple Israel, List of Tallest Buildings in Tulsa, Cain’s Ballroom |
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Creating Country Music $27.15 In this engrossing account, Richard Peterson traces the institutionalization of country music from the early days with Fiddlin’ John Carson in Atlanta – which he shows could have become the center of country music production – using experiences from the lives and work of many of the genre’s most influential performers, including the Carter Family, Jimmie Rodgers, Bob Wills, Gene Autry, Bill Monroe, the Delmore Brothers, Roy Acuff, Patsy Montana, the Girls of the Golden West, Ernest Tubb, and of course Hank Williams. The story, set in the era of the Roaring 1920s, the Great Depression, World War II, and postwar prosperity, takes us from Atlanta and Bristol, Tennessee, through Charlotte, Chicago, Tulsa, and on to Hollywood, New York, and Nashville. Peterson captures the free-wheeling entrepreneurial spirit of the era, detailing the activities of the key promoters who sculpted the emerging country music – Polk Brockman, Ralph Peer, George Hay, J. L. Frank and Fred Rose. Along the way the influence of car-maker Henry Ford and politician Joseph R. McCarthy are also noted. Vintage photographs of this cast of characters complement the lively narrative. More than just a history of the genre, Creating Country Music is the first exploration of authenticity in popular culture. After discussing the meaning of the term, Peterson uses the ironic phrase fabricating authenticity to highlight the fact that, for fans, authenticity does not refer to some clear standard from the past, but is a reconstruction of selected elements from the past crafted to meet the needs of the present. With this conception in mind, Peterson concludes by showing the conditions necessary for the continuation of country music in the twenty-first century. |
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Encyclopedia of the Great Plains $75 The Great Plains is a vast expanse of grasslands stretching from the Rocky Mountains to the Missouri River and from the Rio Grande to the coniferous forests of Canada–an area more than eighteen hundred miles from north to south and more than five hundred miles from east to west. The Great Plains region includes all or parts of Texas, New Mexico, Oklahoma, Kansas, Colorado, Nebraska, Wyoming, South Dakota, North Dakota, Montana, Alberta, Saskatchewan, and Manitoba. The region, once labeled the Great American Desert, is now more often called the heartland, or, sometimes, the breadbasket of the world. Its immense distances, flowing grasslands, sparse population, enveloping horizons, and dominating sky convey a sense of expansiveness, even emptiness or loneliness, a reaction to too much space and one’s own meager presence in it. The Plains region is the home of the Dust Bowl, the massacre at Wounded Knee, the North-West Rebellion, the Tulsa race riot, the Lincoln County War, the purported Roswell alien landing, and the Sturgis Motorcycle Rally. From it have emerged furs, cattle, corn, wheat, oil, gas, and coal as well as jazz, literature, and political reform. It has been inhabited for more than twelve thousand years, since Paleo-Indians hunted mammoth and bison. More recent emigrants came from eastern North America, Europe, Latin American, and Asia, resulting in a complex and distinctive ethnic mosaic. With 1,316 entries contributed by more than one thousand scholars, this ground-breaking reference work captures what is vital and interesting about the Great Plains–from its temperamental climate to its images and icons, its historical character, its folklore, and its politics.Thoroughly illustrated, annotated, and indexed, this remarkable compendium of information and analysis will prove the definitive and indispensable resource on the Great Plains from many years to come. The Encyclopedia of the Great Plains is a cooperative project of the Center for Great Plai |
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Helping Hands $9.95 In just the first two and one-half years of World War II, Girl Scouts gave 15,430,000 hours of service to the nation. Among many other projects, they collected and washed bottles for blood storage, gathered rose hips to make vitamin C-rich syrup for soldiers, sewed 100,000 stuffed toys for Bundles for Britain, and harvested milkweed pods to fill lifejackets. Featuring historical Girl Scout adult Kit Hammett and focusing on Girl Scout service during and after World War II, Helping Hands details much more than the history of the Girl Scout uniform. Four fictive diarists, Intermediate Girl Scouts Rosalyn and Patsy, from Tallahassee and Tulsa, and Senior Girl Scouts Linda and Sandy, from Fresno and Milwaukee, chronicle their troop activities and personal service from 1942 to 1957, the Girl Scout centenary year. Postwar projects helped those in battle-ravaged areas with seeds for replanting, school supplies, clothing bundles, and toys. Girl Scout adults even helped the United Nations Relief and Rehabilitation Administration set up refugee camps for children in Greece and Egypt. Still later, Girl Scouts gave aid to Korea. In 1955, Rosalyn exclaims, We have been so concerned about service abroad that we almost forgot that ‘Charity begins at home’! Happily, she reports on Kit Hammett’s three-year Camping Caravan training tour of the United States; the Restoration of the Juliette Gordon Low Birthplace; the new world center in Mexico; and the Keep America Beautiful campaign. |
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Hudson River School: Masterworks from the Wadsworth Atheneum Museum of Art $55 - This book accompanies an exhibition that travels to the Cantor Center for Visual Arts, Stanford University (October 8, 2003 to January 18, 2004); the Carnegie Museum of Art, Pittsburgh (February 21 to May 9, 2004); the North Carolina Museum of Art, Raleigh (June 6 to August 29, 2004); the Dayton Art Institute, Ohio (September 2004 to January 2005); and the Philbrook Museum of Art, Tulsa, Oklahoma (February 6 to April 24, 2005).- Published in association with the Wadsworth Atheneum Museum of Art |
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I Is For Idea $16.95 Illustrated by Kandy RadzinskiFor every budding scientist who would like to think beyond the smoking volcano, diorama, and colored graphs of the typical school science fair. I is for Idea explores the development of bicycles, zippers, toilets, computers, and many other inventions that we now take for granted in our daily lives. Readers will learn about the inventors and the genesis behind these ever-present and useful items.Curious kids will find plenty of inspiration as they discover the answers to their continuous questions. What is the basis for the phrase the real McCoy ? What actually is the mother of invention? What kitchen appliance was developed after a scientist’s candy bar suddenly melted?Author Marcia Schonberg lives north of Columbus, Ohio. She is the author of more than a dozen books, including B is for Buckeye: An Ohio Alphabet. Illustrator Kandy Radzinski’s first book with Sleeping Bear Press, S is for Sooner: An Oklahoma Alphabet, was the Oklahoma Center for the Book Best Illustrated Book 2004. She lives in Tulsa, Oklahoma. |
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Muskogee $21.99 On New Year”s Day in 1872, a Missouri-Kansas-Texas Railroad (Katy) track crew reached a point just a few miles south of the confluence of the Arkansas, Grand, and Verdigris Rivers in Indian Territory and established a depot it called Muscogee Station. A ragtag settlement quickly developed nearby, and the name was eventually changed to Muskogee. By the turn of the century, Muskogee became the center of political and commercial activity in the territory. Nicknamed the Queen City of the Southwest, Muskogee was a boomtown, and expectations were high that the city would develop into a large metropolitan area. However, by the 1920s, after the oil boom in nearby Tulsa, Muskogee”s growth waned, and it became a working-class Oklahoma town. The city was thrust into the national limelight in the 1960s by country music star Merle Haggard and his song Okie from Muskogee, which described Muskogee as a place where even squares can have a ball. An ethnically diverse community, Muskogee has a rich history of developing artists, musicians, politicians, and entrepreneurs. |
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Oklahoma Building and Structure Introduction: Fred Jones JR. Museum of Art, First National Center, Mark Price Arena, Waverley Historic District $17.87 Chapters: Fred Jones Jr. Museum of Art, First National Center, Devon Tower, Enid Woodring Regional Airport, Ponca City Regional Airport, Lloyd Noble Center, BOK Tower, Tulsa Expo Center, Mabee Center, John Patrick McNaughton Barn, Bizzell Memorial Library, Atlas Life Building, 110 West 7th Building, Oklahoma Music Hall of Fame, SpiritBank Event Center, AT |
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Our Own Sweet Sounds $18.95 A rich portrait of the community that is Arkansas manifested in song, Our Own Sweet Sounds celebrates the diversity of musical forms and music makers that have graced the state since territorial times. Beginning with the earliest references to Quapaw and Caddo music as first reported by seventeenth-century European explorers and continuing forward to the bizarrely named grunge bands who will be stars tomorrow, Robert Cochran traces the music and voices that have enriched the life of the Natural State. Arkansas, many are starting to realize, was caught in a cultural crossfire of music. There were the nearby western swing influence of Tulsa, the blues of Memphis, the Louisiana Hayride of Shreveport, and the influence of Ozark music from Missouri. All of this resulted in the Arkansas cross-culture of blues, country, folk, and rock music, creating a broad spectrum of musical styles and musicians that has left an indelible impression on the Arkansas cultural scene. This new edition includes approximately seventy new artists, some of whom became famous after 1996, when the first edition was published, such as Joe Nichols, and some of whom were left out of the original edition, such as Little Willie John. The valuable Featured Performers section–lengthy discussions of individual artists with their photographs–is now one-third larger. This new edition, heavily illustrated, is a loving tribute to the common music that has filled local airwaves, lifted community gatherings to the level of joyous festivities, and enlivened the spirit of music lovers everywhere. This book is supported by The Old State House Museum–whose exhibit, Our Own Sweet Sounds, runs through June 2005–and theArkansas Natural and Cultural Resources Council. Hailed as the state’s leading folklorist by the Arkansas Times, Robert Cochran is professor of English, chair of American Studies, and director of the Center for Arkansas and Regional Studies at the University of Arkansas. Among his many publis |
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Rabbit And The Wolves $16.95 In this sixth volume of the Grandmother Stories, Murv Jacob and Deborah Duvall blend two ancient Cherokee tales into an adventure story. Ji-Stu, the Cherokee trickster Rabbit, sets out to prove that he can magically be transformed into a great singer whose voice will rival that of Redbird. To gain such fame, Ji-Stu must travel far from home to a strange land and into a dark forest, where shadows prevail and danger lurks behind every tree. The Grandmother Stories are eloquent, beautifully illustrated tales that capture the imagination of Native America. Deborah L. Duvall and Murv Jacob have done a brilliant job of revisiting the mythic world of Rabbit, Bear, and Otter and introducing them to a contemporary audience. These characters are timeless, as are their stories, and readers of all ages will delight in their antics and unique insights. Teresa Miller, director, Center for Poets and Writers, Tulsa, Oklahoma Visit the authors’ website at www.jacobandduvall.comAll ages. |
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